Publications

Selected publications – 2015-2020

Wawrzycka, Jolanta, Mihálycsa, Erika, eds., ReTranslating Joyce for the 21st Century. European Joyce Studies 30, Leiden-Boston, Brill, 2020.
Moldovan, Rareș, “Hot Form and Hot Potato: ‘Grahamising’ the Romanian Translation of Ulysses,” in ReTranslating Joyce for the 21st Century, eds. J. Wawrzycka, E. Mihálycsa, Leiden-Boston, Brill, 2020, 242-257.
Nagy-Seres, Imola, „Malleable Sculptures in Virginia Woolf’s Jacob’s Room and Early Travel Diaries,” Journal of Modern Literature, 2/2019, 149-166.
Mihele, Roxana: „Herman Melville’s ‚Benito Cereno’ and the Subversion of the Slavery Ideology”, Studia Universitatis Babeș-Bolyai: Philologia, LXIV, 1/2019, pp.81-96.
Berce, Sanda, Moldovan, Rareș, eds., „Twenty Years of Irish Studies in Cluj,” Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018.
Wohl, Eugen, „Samuel Beckett and Monologue Drama: Performing the Self,” eds. Sanda Berce, Rareș Moldovan, Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018, 151-163.
Preda, Alina, “Crossing the Boundaries between Modernist and Postmodernist Poetics: The Critical Reception of Jeanette Winterson‟s Novels,” Metacritic Journal for Comparative Studies and Theory, 2/2019.
Borbely, Carmen, Popa-Petrar, Petronia, eds., „Posthumanist Configurations,” Caietele Echinox, vol. 34, 1/2018.
Părău Călina, „Thinking and Constructing. Moments of Split,” Caietele Echinox, vol. 34, 1/2018, 48-56.
Mihálycsa, Erika, „A Dialogic Imagination: Samuel Beckett Reading Georges Duthuit/Bram van Velde in Three Dialogues,” Word & Image, 33, 4/2017, 392-403.
Ciorogar, Alex, „From Somaesthetics to The Stylistics of Existence: Styles of Writing, Ways of Living” în Anna Budziak, Katarzyna Lisowska, Jarosław Woźniak (eds.) Literature, Performance, and Somaesthetics. Studies in Agency and Embodiment, Cambridge Scholars Publishing, 2017, 49-59.
Păcurar, Elena, „Modernism, Tradition and Modernity in Irish Fiction: James Joyce,” Transylvanian Review, vol. XXV, Supliment 1/2016, „Modernism(s) – A Network of Alternatives,” ed. by Sanda Berce, Petronia Petrar, Elena Păcurar, pp.155-165.
Darvay, Daniel, Haunting Modernity and the Gothic Presence in British Modernist Literature, London, Palgrave Macmillan, 2016.

Collective volumes:

(2012) Cultural Imprints in the Age of Globalisation: Writing Region and Nation; edited by Sanda Berce, Petronia Petrar, Erika Mihálycsa, Elena Pacurar, Rareș Moldovan, Presa Universitara Clujeana, 2012, pp. 220, ISBN 978-973-595-481-9

Elena Pacurar, “The Imprints of a Nation: James Joyce’s Fiction”;
Petronia Petrar, “The Place of Fiction: Narratives of Location in the Contemporary British Novel”;
Sanda Berce, “Liquid Modernity and the Memory of Literature: the Question of Authenticity”;
Rareș Moldovan, “2 nú lundun: Temporality, Spatiality and Trace”;
Carmen-Veronica Borbély, “Globalisation and Its Discontents: Threshold Identities in Hari Kunzru’s Novels”;
Erika Mihálycsa, “Change all the Names: Vestiges of Irishness in Samuel Beckett’s Writing”;
Alina Preda, “The City as Character in Jeanette Winterson’s Literary Writing”.
Invited contributions to the issue included Mihalea Irimia, Zsuzsa Selyem, Agnes Gyorke, Adriana Stan, Maria Cristina Andreu Jimenez, John Style, Ruxandra Bularca, Pere Gallardo-Torrano, Elizabeth Russell. Eva Pataki, and Eugen Wohl.

Books

Co-authored and edited by members of CSMAN:

Carmen Borbély, Petronia Petrar, Our Heteromorphic Future: Encoding the Posthuman in Contemporary British Fiction, Cluj-Napoca: Presa Universitară Clujeană, 2014.
Ciorogar, Alex (coord.), Postumanismul, Editura Tracus Arte, București, 2019.

Books authored by members of CSMAN:

Daniel Darvay, Haunting Modernity and the Gothic Presence in British Modernist Literature, London, Palgrave Macmillan, 2016.
Erika Mihálycsa, Trans-Lating Modernism: Languages of Passage in the Fiction of Joyce, Flann O’Brien, Beckett. Cluj-Napoca: Presa Universitară Clujeană, 2016.
Sanda Berce, Interfață, Editura Limes, Cluj-Napoca, 2015.
Carmen Veronica Borbely, Mapping the (Post)Gothic: Essays on Irish Contemporary Fiction and Film, Cluj-Napoca, Presa Universitară Clujeană, 2014.
Carmen Veronica Borbely, Enlightened Forgetting: Tropes of Memory and Oblivion in Eighteenth-Century British Fiction, Cluj-Napoca, Presa Universitară Clujeană, 2014, P. 227.
Carmen Veronica Borbely, Genealogies of Monstrosity: Constructions of Monstrous Corporeal Otherness in Contemporary British Fiction, Cluj-Napoca, Presa Universitară Clujeană.
Alina Preda, Jeanette Winterson and the Metamorphoses of Literary Writing, Argonaut, Cluj-Napoca, 2013.
Alina Preda, Interferences: On Gender and Genre, Argonaut, Cluj-Napoca, 2013.
Petronia Petrar, Spatial Representations in Contemporary British Fiction, Cluj-Napoca: Presa Universitară Clujeană, 2012.
Rareș Moldovan, A Study of the Problem of Legitimation in Late Modernity, Cluj Napoca, Limes, 2011.
Sanda Berce, Hot Spots. Essays in British and Irish Literature, Editura Limes, Cluj-Napoca, 2008.

Translations

Rareș Moldovan

Robert Browning, Fluierarul vrăjitor, Brumar, 2016
Jez Butterworth, Ierusalim, Bucureşti, Paideia, 2014
Michael Cunningham, Până la căderea nopţii, Bucureşti, Polirom, 2011
Thomas Pynchon, Curcubeul gravitaţiei, Bucureşti, Polirom, 2010
Harold Bloom, Anxietatea influenţei, Bucureşti, Paralela 45, 2008
Chuck Palahniuk, Bântuiţii, Polirom, 2007
Michael Cunningham, Zile exemplare, Bucureşti, Polirom, 2006
Hari Kunzru, Virusul, Bucureşti, Polirom, 2005
Hans Vaihinger, Filozofia lui „ca şi cum”, Bucureşti, Nemira, 2002, (co-traducător)

Erika Mihálycsa

Samuel Beckett, Ekhó csontjai [Echo’s Bones]. Budapest: Európa, 2016.
Patrick McCabe, Reggeli a Plútón [Breakfast on Pluto,. Budapest/Bratislava: Kalligram, 2013
Patrick McCabe, A mészároslegény [The Butcher Boy]. Budapest/Bratislava: Kalligram, 2011.
Flann O’Brien, Úszikkétmadáron [At Swim-Two-Birds], with Gábor Csizmadia, Cluj: Koinónia, 2009.

Eugen Wohl

Robert Cohen, Teatru de Robert Cohen, Editura Casa Cărții de Știință, Cluj-Napoca, 2019 (co-traducător)
Robert Cohen, Bzzap!, de Robert Cohen, Editura Casa Cărții de Știință, Cluj Napoca, 2016
Janovics Jenö, creatorul Hollywood-ului transilvan [Janovics Jenö, The Creator of the Transylvanian Hollywood], Ed. Tracus Arte, Bucureşti, 2014 (co-traducător)
Robert Cohen, Eseuri despre teatru [More power to you] de Robert Cohen, , Editura Casa Cărţii de Ştiinţă, Cluj Napoca, 2012 (co-traducător)
Robert Cohen, Machiavelli sau Arta terorii de Robert Cohen, Casa Cărţii de Ştiinţă, Cluj-Napoca, 2009 şi ediţia a II-a, 2012
Robert Cohen, Acting power/Puterea interpretării scenice, Ed. Casa Cărţii de Ştiinţă, Cluj-Napoca, ediţia I, 2007, ediţia a II-a, 2012 (co-traducător)
Peter Brook, Împreună cu Grotowski de Peter Brook, editura Fundaţiei Camil Petrescu, București, 2009 (co-traducător)
Sarah Kane – An enigma, editat de Teatrul Naţional „Lucian Blaga” Cluj Napoca, Casa Cărţii de Ştiinţă, 2009 (co-traducător)
Bryan Reynolds Blue Shade, Ed. Casa Cărţii de Ştiinţă, Cluj-Napoca, 2007
Saviana Stănescu, Waxing west/Să epilăm spre vest de Saviana Stănescu, ed. Eikon, Cluj-Napoca, 2004

Articles and Chapters (selection)

Petronia Popa-Petrar

“Border-Writing: Between the Acts and Virginia Woolf’s Novel Ethics,” Borders of Modernism, edited by Massimiliano Tortora, Annalisa Volpone, Perugia: Morlacchi Editore, 2019, pp. 123-141.
“‘There was a black gap where the DE had been:’ Dispossessing Discourse in Aidan Higgins’ The Balcony of Europe”, Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018, pp.: 129 – 138;
“Written Communities: Imagining Connection in Virginia Woolf’s Novels,” Caietele Echinox, 1/2017, pp. 216-226;
“Ford Madox Ford’s The Good Soldier and the Ethics of Perspective,” Transylvanian Review, vol. XXV, Supplement No. 1, 2016, pp. 165-175;
“Towards an Ethics of Critical Discourse: Ioana Em. Petrescu and ‘Responsible Reading,’” Studia Universitatis Babes-Bolyai, Philologia, vol. 61, 2/2016, pp. 40-47;
“The Resurrected Future of Cloud Atlas: Writing and Filming Dystopian Time”, ERIH+, CEEOL, Caietele Echinox, 2015, pp. 263-271;
“Textual Memories: History, Tradition and Novelty in Salman Rushdie’s The Enchantress of Florence”, Transylvanian Review, vol. XXII, Mapping Literature, supplement no. 1, 2013, pp. 269-277;
“The Place of Fiction: Narratives of Location in the Contemporary British Novel”, Cultural Imprints in the Age of Globalisation: Writing Region and Nation, Cluj-Napoca: Presa Universitară Clujeană, 2012, pp. 51-60;
“Towards a Typology of Spatial Representations”, International Journal of Humanistic Ideology, nr. 1, 2011, pp. 49-66;
“Emplacing Texts/Textualising Places: The Dialectic of Subjectification in Salman Rushdie’s Novels”, Proceedings of the International Conference Constructions of Identity (V), edited by Rares Moldovan and Petronia Petrar, Cluj Napoca: Editura Napoca Star , 2009, pp. 239-247;
“The Conflict Of Representations: Paradigms of Inclusion in Julian Barnes’s A History of the World In 10 ½ Chapters”, Studia Universitatis Babeş-Bolyai, nr. 1/2008, pp. 163-170;
“Spatial Histories and Historical Spaces in Julian Barnes’s A History of the World In 10 ½ Chapters’, Studia Universitatis Babeş-Bolyai, nr. 4/2007, pp.117 – 124;
“The Island between Heterotopia and Dystopia: Julian Barnes’s England, England”, Studia Universitatis Babeş-Bolyai, nr. 3/2006, pp. 151-160;
“The Inward Exile in Contemporary English Writing”, Studia Universitatis Babeş-Bolyai, nr. 1/2005, pp. 135-146;
“Spatial Structures in Lawrence Durrell’s The Alexandria Quartet”, Studia Universitatis Babeş-Bolyai, nr. 4/2004, pp. 177-186.
Petronia Popa Petrar and Carmen-Veronica Borbely, “Databodies: Digitalising the Ustopian Spaces in Hari Kunzru’s Transmission,” Caietele Echinox 27, 2014, pp. 307-318;
Carmen-Veronica Borbely and Petronia Popa Petrar, “‘Natural-Born Cyborgs’: Becoming Posthuman in Bio- and Cybertech Ustopias,” Ekphrasis – Images, Cinema, Theory, Media 12/ 2, 2014, pp. 61-76. ERIH+.

Rareș Moldovan

„Melancholia: A Case for Cultural Memory”, Literature and Cultural Memory, Brill Rodopi, 2017 , 325-343
„Check Impulse: Traversing Hades”, Studia Universitatis Babeș-Bolyai, Philologia, LXIII, Issue 4, 2018, pp. 81-92
„Authentes: A Shadow Play”, Caietele Echinox, vol. 34, 2018, pp. 37-47 [ISI]
“The state of play: Geektopia in Ready player one”, Caietele Echinox, vol. 32, 2017, pp. 242-51 [ERIH+]
“Entelechy and modernity”, Transylvanian Review, vol XXV, Supplement no. 1, 2016, pp. 129-38 [ISI]

Elena Păcurar

Păcurar Elena – Feasting on the Text: the “Ulysses” Centenary in Romanian Periodicals, „Studia Universitatis Babeş-Bolyai PHILOLOGIA”, vol. 63, 4/2018, pp. 119-128, DOI: 10.24193/subbphilo.2018.4
Păcurar Elena – Modernism, Tradition and Modernity in Irish Fiction: James Joyce, „Transylvanian Review” Mapping Literature, vol. XXV, Supplement no.1/2016, pp.155-165
Păcurar Elena – Literary Canon a Rebours, „Transylvanian Review” Mapping Literature, vol. XXII, Supplement no.1/2013, pp. 249-260

Erika Mihálycsa

„A dialogic imagination: Samuel Beckett reading Georges Duthuit/Bram van Velde in Three Dialogues,” Word & Image, 33:4, 2017, 392-403
„Weighing the Point. A few points on the writing of finitude in Ulysses.” In Jolanta Wawrzycka, ed., Reading Joycean Temporalities. European Joyce Studies 27, Boston/Leiden: Brill—Rodopi, 2017, 51-66.
„’Evidently of the second-hand denomination’: Flann O’Brien’s Joyce, Wyndham Lewis, and the Disenchantments of Late Modernism”, in Joyce Studies Annual, 2020, eds. Moshe Gold, Philip Sicker, New York: Fordham University Press, 2020, 196-221.

Sanda Berce

Sanda Berce, Literature and Science: Systemic Reading in the Field of Literature. Ioana Em. Petrescu and the Convergence of systems: A Hypothesisîn Ioana M. Petrescu: In Memoriam, Ioana Both, Corina Croitoru eds., Studia Universitatis, UBB, LXI,2, 2016.
Sanda Berce, Narrative Identity: Questioning Tradition, Probing Modernity, Transylvanian Review, vol XX, Supliment No.4 2011.
Sanda Berce, „Emerging Stories: The (Auto)Biographical Game”, Twenty Years of Irish Studies in Cluj, (Sanda Berce, Rareș Moldovan eds.), Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018, pp.63 – 81.
Sanda Berce, “Introduction: The Archaeology of Inquiry- a Proposal”, Twenty Years of Irish Studies in Cluj, (Sanda Berce, Rareș Moldovan eds.), Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018, pp.104-113.
Sanda Berce, “The Retroactive Canon: Constructing a Network Of Modernism(s)”in Modernism(s)- A Network of Alternatives, ( Sanda Berce, Petronia Petrar, Elena Pacurar eds.) , in „When the Past Meets the Present: Studies in History and Culture,” Transylvanian Review, Supplement 1, pp. 109-221, 2016 (issued on the occasion of the First Conference of the CEMS/ European Centre for Modernisms Studies, Perugia 2016)
Sanda Berce, “Canonicity: A Hypothesis, Anticipating the Global. D.H. Lawrence in the Hue of the Century”, Canon, Modernity and the Institution of Literature, (Sanda Berce, Petronia Petrar, Erika Mihálycsa, Elena Pacurar eds.), in Mapping Literature, Part II, Transylvanian Review, Vol XXII, Supliment No.1, 2013, pp. 227-316.
Sanda Berce, “Liquid Modernity and the Memory of Literature: the Question of Authenticity”, in Cultural Imprints in the Age of Globalisation: Writing Region and Nationedited by Sanda Berce, Petronia Petrar, Erika Mihálycsa, Elena Pacurar, Rareș Moldovan eds. , Presa Universitara Clujeana, 2012, 220 p., 85-98 pp.

Alex Ciorogar

Ciorogar, Alex, „From Somaesthetics to The Stylistics of Existence: Styles of Writing, Ways of Living” în Anna Budziak, Katarzyna Lisowska, Jarosław Woźniak (eds.) Literature, Performance, and Somaesthetics. Studies in Agency and Embodiment, Cambridge Scholars Publishing, 2017.
Ciorogar, Alex, „Beyond Print and Invisibility. «Translatorship» in the Age of Digital Globalization” în Maria Sass, Vlad Pojoga, Ștefan Baghiu (eds.), The Culture of Translation in Romania/ Übersetzungskultur und Literaturübersetzen in Rumänien, Peter Lang Publishing Group, Bern, 2018.
Ciorogar, Alex, Text în „Authorhsip Contested” în Authorship Journal, Vol. 5, No. 2 (2016).
Ciorogar, Alex, Text în Authorhsip Journal „Literary Careers in the Modern Era”, Vol 6 No. 1 (2017).
Ciorogar, Alex, Robin van den Akker, Alison Gibbons, Timotheus Vermeulen (eds.), Historicity, Affect, and Depth After Postmodernism, Rowman & Littlefield, London – New-York, 2017 în The Comparatist, 2019, vol. 43.
Ciorogar, Alex, TIME AND NARRATIVE: READING IAN MCEWAN’S ATONEMENT, în Philobiblon, vol. xxi, no-2, 2016.
Ciorogar, Alex, A HERMENEUTICAL READING OF A POSTMODERN BRITISH NOVEL. TIME AND NARRATIVE IN DAVID LODGE’S “THINKS…” în STUDIA UBB PHILOLOGIA, LXII, 2, 2017, p. 213 – 223 (RECOMMENDED CITATION) DOI:10.24193/subbphilo.2017.2.15.
Ciorogar, Alex, „Înălțarea autorului și noțiunea expandată a subiectului creator: noi definiții ale auctorialității mondiale în epoca globalizării digitale” în Annales Universitatis Apulensis Philologica, 2017.
Ciorogar, Alex, „From Rhetorics to Sociology: Authorship Figures in Contemporary Narratology” în Revista Transilvania, Sibiu, nr. 4, 2018.
Ciorogar, Alex, „The Power of Authorship: From Text-Function to Context-Position” în Revista Transilvania, Sibiu, nr. 11-12, 2018.
Ciorogar, Alex, „Petre Grimm și începuturile anglisticii în România” în Caiete Critice, 9 (383), Septembrie 2019, ISSN: 1220-6350, ISSN (on-line): 2285-5041. Revistă indexată CNCS, Scipio, Erihplus, pp. 68-74.
Ciorogar, Alex, „Authorship Studies and Romanticism” în Studia Philologia UBB, nr. 4, 2019.
Ciorogar, Alex, „The Ecology of Authorial Ascension” în French Studies Bulletin, Volume 41, Issue 154, Summer 2020, pp. 19-25, https://doi.org/10.1093/frebul/ktaa001; published 28 February 2020.
Ciorogar, Alex, „Teorii și ipostaze ale auctorialității în epoca globalizării digitale. Partea I (1980-2020)” / Theories and Practices of Authorship in The Age of Digital Globalization. Part I (1980-2020)” în Revista Transilvania, nr. 5, 2020, ISSN: 0255 0539, pp. 42-48.
Ciorogar, Alex, „Statutul controversat al subiectivității contestatare/The Controversial Status of Contesting Subjectivity” în Caiete Critice, nr. 1 (387), Ianuarie 2020, pp. 26-37. ISSN: 1220-6350 / ISSN (on-line): 2285-5041 Revistă indexată CNCS (B), Scipio, Erihplus.
Ciorogar, Alex, „Auctorialitatea: definiții conceptuale și limite teoretice (I) Authorship: Conceptual Definitions and Theoretical Confines (I)” în Caiete Critice, nr. 3-4 (389-390), Martie-Aprilie 2020, pp. 132-140. ISSN: 1220-6350 / ISSN (on-line): 2285-5041 Revistă indexată CNCS (B), Scipio, Erihplus.
Ciorogar, Alex, „Teorii și ipostaze ale auctorialității în epoca globalizării digitale. Partea II (1980-2020)” / Theories and Practices of Authorship in The Age of Digital Globalization. Part II (1980-2020)” în Revista Transilvania, nr. 10, pp. 81-92, 2020, ISSN: 0255 0539.
Ciorogar, Alex, „Auctorialitatea: definiții conceptuale și limite teoretice (II), Authorship: Conceptual Definitions and Theoretical Confines (II)” în Caiete Critice, nr. 8-9, Noiembrie 2020, ISSN: 1220-6350 / ISSN (on-line): 2285-5041 Revistă indexată CNCS (B), Scipio, Erihplus.

Carmen Borbely

Carmen-Veronica Borbely, “Reimagining Modernity: Derealized Hinterlands in Patrick McCabe’s New Gothic Fiction.” Transylvanian Review, Vol XXV, Supliment 1 (2016), Indexare ISI Titlu gupaj: Modernism(s): A Network of Alternatives (Foreword: The Archaeology of Inquiry: A Proposal), Sanda Berce, P.Petrar, E.Pacurar (eds.), pp. 209-218
Carmen-Veronica Borbely, “‘Salvific’ Memory, “Enlightened’ Oblivion: Spectral Traces of the Past in Maria Edgeworth’s Castle Rackrent (1800).” Transylvanian Review, Indexare ISI, vol. XXIV, No. 1, Spring 2015, pp. 135-148.
Carmen Borbély, “On Necropolitics and the Female Refugee in Edna O’Brien’s Girl” (2019), in Caietele Echinox, vol 38/2020 Planetary Spaces.The Humanities at the Crossroads of the Local and the PostGlobal DOI: 10.24193/cechinox.2020.38.25, pp. 319-329
Carmen-Veronica Borbely, “Composite Selves and Nonhuman Others in Caitriona Lally’s Eggshells (2015)” in Caietele Echinox, vol. 37/2019 DOI: 10.24193/cechinox.2019.37.11 pp. 136-148.
Carmen-Veronica Borbely, “On “Making Oddkin” in Sara Baume’s Spill Simmer Falter Winter”, Studia Universitatis Babes-Bolyai Philologia, Volum Nr: 4, 2018, ISSN: 1220-0484, pp. 109 – 118, DOI:10.24193/subbphilo.
Carmen-Veronica Borbely, “Post- Gothic Traces in Ian McEwan’s Solar”, in Caietele Echinox, “Neo-Gothic: Hybridizations of the Imaginary”, 35 (2018), pp. 223-233, DOI: 10.24193/cechinox.2018.35.14.
Carmen-Veronica Borbely, “Communities under Erasure in Seamus Deane’s Reading in the Dark,” Caietele Echinox 32 (2017), “Images of Community,” pp. 203-215, DOI: 10.24193/cechinox.2017.32.16.
Carmen-Veronica Borbely, “Body Drift: On the Precariousness of Posthuman Life in Never Let Me Go,” Caietele Echinox, vol. 29, 2015: “Utopia, Dystopia, Film”, pp. 242-251.

Eugen Wohl

Eugen Wohl, Samuel Beckett and Monologue Drama: Performing the Self, STUDIA UBB PHILOLOGIA, LXIII, 2, 2018
Eugen Wohl, Ion D. Sîrbu’s Anthumous Works as (Re)valuable Residues, Caietele Echinox, vol. 33, 2017
Eugen Wohl, Cricoteka- Tadeusz Kantor’s “Living Archive”, STUDIA UBB PHILOLOGIA, Vol. 61, nr. 2, 2016
Eugen Wohl, The “Exploded Form”: Characteristics of the Atypical, Indefinable, Inimitable. A Case Study on Ion D. Sîrbu’s posthumous novel A Farewell to Europe!, în volumul Literarische Form / Literary Form Theorien – Dynamiken – Kulturen. Beiträge zur literarischen Modellforschung / Theories – Dynamics – Cultures. Perspectives on Literary Modelling, Universitatsverlag Winter, 2018
Eugen Wohl, Localizări ale avangardei artistice europene. Tadeusz Kantor şi forma artistică „explodată“ în volumul Dus-intors. Rute ale teoriei literare in postmodernitate, Ed. Humanitas, 2016, coordonatori: Oana Fotache, Magda Răduță, Adrian Tudurachi
Eugen Wohl, Theatre of War. Brief Considerations about the Romanian Theatre during World War I, în Romania Orientale, Roma, nr. 28, 2015, pp. 181-190.

Themed issues in peer-reviewed journals:

Borbely, Carmen, Popa-Petrar, Petronia, eds., „The Objects of Memory, the Memory of Objects,” Metacritic Journal for Comparative Studies and Theory, vol. 7, 1/2021 (forthcoming).
Borbely, Carmen, Popa-Petrar, Petronia, eds., „Posthumanist Configurations,” Caietele Echinox, vol. 34, 1/2018.
Twenty Years of Irish Studies in Cluj, edited by Sanda Berce, Rareș Moldovan, Studia Universitatis Babes-Bolyai: Philologia, vol. 63, 4/2018.
- Invited contributions to the issue include:
- Sanda Berce, Rareș Moldovan, „Foreword”;
- Carmen-Veronica Borbely, „Introduction”;
- Sanda Berce, „Emerging Stories: The (Auto)Biographical Game”;
- Rareș Moldovan, „Check Impulse: Traversing Hades”;
- Carmen-Veronica Borbely, „On ‚Making Oddkin’ in Sara Baume’s Spill Simmer Falter Wither”;
- Elena Păcurar, „Feasting On The Text: The Ulysses Centenary In Romanian Periodicals”;
- Petronia Popa-Petrar, „’There Was A Black Gap Where The De Had Been:’ Dispossessing Discourse in Aidan Higgins’ Balcony Of Europe”;
- Eugen Radu Wohl, „Samuel Beckett and Monologue Drama: Performing the Self”.
Borbely, Carmen, Popa-Petrar, Petronia, eds., „The Objects of Memory, the Memory of Objects,” Metacritic Journal for Comparative Studies and Theory, vol. 7, 1/2021 (forthcoming).
Borbely, Carmen, Popa-Petrar, Petronia, eds., „Posthumanist Configurations,” Caietele Echinox, vol. 34, 1/2018.

(Invited contributors to the issue included Declan Kiberd, Diarmuid Ó’Giolláin, Nicholas Allen, Virgil Stanciu, Ana-Karina Schneider, Alexandru Oltean-Cîmpean, Diana Melnic, Vlad Melnic, Diana Dupu).

(2016) Modernism(s)- A Network of Alternatives, edited by Sanda Berce, Petronia Petrar, Elena Pacurar, în „When the Past Meets the Present: Studies in History and Culture,” Transylvanian Review, Supplement 1, pp. 109-221(Grupaj realizat cu ocazia primei conferințe europene a Centrului European de Studiere a Modernismelor (CEMS), Perugia, dec. 2016):

Sanda Berce, “Foreword: The Architecture of Inquiry – A Proposal”;
Erika Mihálycsa, ”Chronologies of Modernism: Factoids, Fictions, Accounts”;
Rareș Moldovan, “Entelechy and Modernity”;
Sanda Berce, “The Retroactive Canon: Constructing a Network Of Modernism(s)”;
Elena Pacurar, “Modernism, Tradition and Modernity in Irish Fiction: James Joyce”;
Petronia Popa Petrar, “Ford Madox Ford’s The Good Soldier and the Ethics of Perspective”;
Carmen-Veronica Borbély, “Reimagining Modernity: Derealized Hinterlands in Patrick McCabe’s New Gothic Fiction”.
Invited contributions to the issue included Corin Braga, Imre Josef Balazs, and Ruxandra Cesereanu.

(2013) Canon, Modernity and the Institution of Literature, edited by Sanda Berce, Petronia Petrar, Erika Mihálycsa, Elena Pacurar, în „Mapping Literature,” Part II, Transylvanian Review, Vol XXII, Supliment No.1, pp. 227-316

Sanda Berce, “Canonicity: A Hypothesis, Anticipating the Global. D.H. Lawrence in the Hue of the Century”;
Rareș Moldovan, “Canon Omnibus”;
Elena Pacurar, “Literary Canon ŕ Rebour”;
Erika Mihálycsa, “Errorist Joyce”;
Petronia Petrar, “Textual Memories: History, Tradition and Novelty in Salman Rushdie’s The Enchantress of Florence”;
Carmen-Veronica Borbély, “Ex-Orbiting the Canon: Neo-Gothic and the Contemporary Reassessment of Monstruosity”;
Alina Preda, “Literary Art versus Technological Performance: the Case of Jeanette Winterson”;
Roxana Mihele, “The American Multiculturalism and the Western Canon”

Themed blocks in literary and cultural journals:

Grupajul „Modernitate-Modern(isme),” în Steaua, Anul LXIX, Nr. 2, 2018 (coordonator Sanda Berce, contribuții de Călina Părău, Elena Păcurar, Rareș Moldovan, Carmen Borbely, Petronia Popa-Petrar, Sanda Berce);
Grupajul „Temporalitațile antinomice ale modernismului,” în Steaua, Anul LXIX, Nr. 8, 2018 (coordonator: Sanda Berce; contribuții de Declan Kiberd, Randall Stevenson, Christian Moraru, Jean-Michel Rabate, Patrick McGuinness, Sanda Berce).
Grupajul „Literatura irlandeză în vizor,” în Steaua, Anul LXVIII, Nr. 2, 2017 (coordonator: Sanda Berce; contribuții de Rareș Moldovan, Sanda Berce, Carmen Borbely, Călina Părău);
Dosarul „Formalismul rus,” în Steaua, Anul LXVIII, Nr. 10, 2017 (coordonator: Alex Ciorogar; contribuții de Alex Ciorogar, Ion Pop, Sanda Cordoș, Oana Fotache, Antonio Pătraș, Sanda Berce);
Grupajul „Postumanism,” Vatra, nr. 3-4/2017 (coordonator: Alex Ciorogar; contribuții de Alexandru Ciorogar, Carmen Borbely, Petronia Popa-Petrar).